Charter 3 : Buck Rogers.
12 Feb
A sequel to Chapter 2. The ghosts of my life, an autobiography.
“That is not dead which can eternal lie,
And with strange aeons even death may die.”
- The Necronomicon in The Nameless City, by H.P. Lovecraft.
6.
It tasted like mountains; maybe skies (or maybe just the lake), i was 6, maybe 5, but the rain, i remember.
The rain, i remember. It sounded slow, like a lazy piano going steady on the crescendo, slow.
It was yesterday, i remember.
It was always yesterday, i remember.
The clouds moved; became slower, heavier, and they became one color : the color of curfew i remember, running with Abang and leaving our camp and guns and grenades behind and charging at 18, Jalan Pauh.
7.
18, Jalan Pauh was a double-story terrace with 4 rooms — 5 rooms if the torture room were to be included. The house was white, and the white walls were decorated with our art — there were aeroplanes drawn by Abang, there were helicopters drawn by me; and for each aircraft we produced on the wall, there would be marks that looked like safety boats to complement our drawings — made by Umie’s sharp fingernails when she pinched them hard onto our skin.
These marks (or these safety boats), were usually red and painful but sometimes, sometimes the red could turn green, and the green could turn blue, and the blue could turn black, (and eventually, the pain could disappear too if i cried long enough), but the spectrum and the shades of the safety boats were determined by Umie’s natural talent of holding her breath.
“Kau dua orang ni, deeggiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiilll la sangat!” would probably make red boats to appear on our skin (and pleasure to rise from Umie’s face).
And if Umie had too much pleasure, she would then continue with :


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